National Review Online: Conan the Barbarian should be PG-13


Conan the WannabeDid you ever have one of those moments when something so obvious sticks out that you nearly lose an eye to it, but at the same time it’s so damnably stupid you almost don’t want to tell anyone about it because, well, it’s just that stupid?

Such is the case with John J. Miller’s lament about the newly-minted Conan movie:

As a fan of Robert E. Howard and his character Conan, I’m of course looking forward to seeing the new Conan film. But I can tell the producers already have made one major mistake: It’s rated R. How dumb is that? My son, who has read and enjoyed dozens of the old Marvel comics, almost certainly won’t be seeing it now. The film should have been PG-13. My guess is that it will struggle commercially just because of the rating–and old-timey fans of the original stories will grumble for another generation about how Hollywood messed up.

I mean, where do you even start with that?

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Review: Night at the Museum: Battle of the Smithsonian


Night at the Museum: Battle of the Smithsonian (*½)

Confusion actually led me to this film. I had intended to take my daughter to see Up, but the listing I followed to the cinema apparently had yet to be updated. Once we were inside, looking up at the board, I couldn’t simply take her hand and say, “Too bad, we’re going home.”

Especially after she saw that Night at the Museum: Battle of the Smithsonian was playing. Score one for soulless target marketing.

The script, penned by Robert Ben Garant and Thomas Lennon (Reno 911!) was, to say the least, lackluster: slipshod story construction, shallow character development, and cheap comic gags abound. If anything characterizes Hollywood’s low aim, it is these enterprise or “franchise” films. Night at the Museum is all about merchandising and brand recognition. Actual content is an afterthought. Still, though, the prospect of good money pushes these projects forward; after all, they got three films out of Problem Child and Look Who’s Talking alike. Both projects were throughly abysmal, and leaves one wondering how bad the third Museum film can possibly be. With any luck, bad enough to be shelved.

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Apparently Renny Harlin was busy?


In the largest deal ever made to shit out a movie, Warner Bros. and director Michael Bay announced a landmark $50 million agreement this week to monumentally fuck up ThunderCats.

“I couldn’t be more excited to completely fuck this up,” said Bay, who plans to begin production on destroying the live-action adaptation next month. “ThunderCats has a great story, endearing characters, action, adventure, space-travel, and fantasy. It will be an honor to run it into the ground.”

“I’ll use every directorial tool I have to suck the very life and charm out of this beloved cartoon,” added Bay, claiming that the film could turn out to be the most colossal piece of shit he’s ever worked on. “I won’t rest until I get every last scene exactly wrong.”

According to executives, Warner Bros. settled on Bay after a 12-month search of Hollywood’s most reviled directors, including Joel Schumacher, Roland Emmerich, and Brett Ratner. In the end, the studio decided only Bay could be relied upon to deliver a 220-minute cinematic clusterfuck with enough tedious performances, overblown cinematography, and CGI explosions to make even the most casual fan want to scratch their eyes out.

Via The Onion, of course.

What? I just wanted to make a Renny Harlin joke.